Calculus: The Musical!
All your favorites from the show and more! Enjoy!
(In the style of: The Beatles - In My Life)
- There are 5 sizes of numbers,
- Big Infinity and small Zero,
- And the Finite in the middle,
- They’re the ones, I’m sure you know.
- But now we look between Finite and Zero.
- To numbers so small, they’re nothing at all,
- But still a little larger than a Zero.
- Their name is Infinitesimal.
- On the other side of Finite,
- There are numbers too large to say,
- Infinites are what we call them,
- They are big, in every way.
- But they will never quite be Infinity,
- They’re not quite as big, not even close.
- We’ll use all of these numbers in Cal-cu-lus,
- The numbers, I love the most.
(In the style of: The Who - The Kids Are Alright)
- I don’t mind if there’s no value at this point,
- It’s fine, I’ll find the value anyway.
- ‘Cause I know, if I come, from the left and the right,
- If they meet I will find that the limit’s alright.
- The limit’s alright!
- Sometimes,
- I see that x approaches a,
- So x, gets infinitely close to a.
- And I know, if I come, from the left and the right,
- Close enough, I will find that the limit’s alright.
- Each small Epsilon’s gonna have a small Delta for sure!
- They’ll get so small, they can’t get any smaller!
- Sometimes, I see that x approaches a,
- So x, gets infinitely close to a.
- And I know, if I come, from the left and the right,
- If they meet I will find that the limit’s alright.
- The limit’s alright!
- The limit’s alright!
(In the style of: They Might Be Giants -
Istanbul(Not Constantinople))
- f of x plus h minus f of x
- all over h as h drops to zero
- is the formula to find the derivative.
- To otherwise state: instantaneous rate.
- f of x plus h minus f of x
- all over h as h drops to zero
- is the formula to find the derivative.
- To find the slope at one point.
- Infinitesimals dy over dx,
- Why he wrote it I can’t say,
- Leibniz just liked it better that way!
- So,
- f of x plus h minus f of x
- all over h as h drops to zero
- is the formula to find the derivative.
- With this I will have to learn to cope!
- Leibniz found the limit of the slope!
(In the style of: Graham Pike-
Head Shoulders Knees and Toes)
- Jumps, Pinches, Gaps and Holes,
- Gaps and Holes!
- Jumps, Pinches, Gaps and Holes,
- Gaps and Holes!
- Vertical Tangents and Asymptotes!
- Jumps, Pinches, Gaps and Holes,
- Gaps and Holes!
(In the style of : Petula Clark - Downtown)
- When you have A times an X to the B,
- you know you always use:
- Power Rule.
- Look A B X to the B minus one,
- is the derivative.
- Power Rule.
- Derivatives of constants are always a slope of Zero.
- Square Root is the one half power,
- you have nothing to fear.
- Oh! How can you lose!
- For all polynomials you can forget all your troubles,
- cause everyone knows you use:
- Power Rule!
- 1 over X is Just,
- Power Rule!
- X to the minus 1.
- Power Rule!
- Fo Polynomials, Foo!
- La la la, la la la la la la la la la la la la la.
- Power Rule!
- La la la, la la la la la la la la la la la la la.
- Power Rule!
- Derivatives of constants are always a slope of Zero.
- Square Root is the one half power,
- you have nothing to fear.
- Oh, Elephant shoes.
- For all polynomials you can forget all your troubles,
- cause everyone knows you use:
- Power Rule!
- 1 over X is Just,
- Power Rule!
- X to the minus 1.
- Power Rule!
- There is no Dana, Just Zool!
(In the style of: Madonna - Material Girl)
- The first derivative will show you
- increase or decrease.
- It’s positive or negative
- y’know respectively.
- If the d’rivative is zero
- or it’s undefined,
- then that point is critical
- and always on your mind!
- You know a saddle is a critical point,
- that also is an inflection point.
- You know, you know a saddle is an inflection point,
- that also is a critical point.
- The second d’rivative will tell you
- concave up or down.
- Concave up, positive smile
- and down negative frown.
- The second d’rivative is zero
- in between the sections,
- of concave up or down
- and they are called points of inflection.
- You know a saddle is a critical point,
- that also is an inflection point.
- You know, you know a saddle is an inflection point,
- that also is a critical point.
- It’s a critical, it’s a critical, it’s a critical point.
(In the style of: Aretha Franklin - Chain of Fools)
- For compositions,
- I thought u substitution.
- So change x out now,
- save it for the solution.
- Oh, you got dy / dx is,
- I know It’s just dy / du,
- times du / dx.
- Oh, respect this Chain Rule.
- Chain chain chain…
- Chain Rule.
- Chain chain chain…
- Chain Rule.
- Every chain,
- has got one more link,
- For each composition,
- but don’t lose your strength.
- Oooh, babe,
- You gotta see the function alone!
- Don’t matter what’s inside it at all!
- Take the derivative, take it easy!
- Oh don’t change its insides just you clone
- and now apply the:
- Chain chain chain…
- Chain Rule.
- Chain chain chain…
- Chain Rule.
- Oh, we are not finished!
- We still gotta take,
- derivative of the inside,
- and multiply'all I can babe!
- Chain chain chain…
- Chain Rule.
- Chain chain chain…
- Chain Rule.
(In the style of : Aretha Franklin - Respect)
- Change in what? Change in time.
- Change in z, or maybe y.
- All I’m asking, is for a little Respect,
- When you take 'em,
- When you take derivatives
- dt
- When you take derivatives
- When you take derivatives
- dz
- When you take derivatives
- dy’s just a little change in height,
- dx is a run, but oh so slight,
- ratios of differentials happen with respect
- they’re just a little bit, just a little bit.
- IM-P-L-I-C-I-T find out what it means to me,
- IM-P-L-I-C-I-T take with respect to t.
- dx / dt! dz / dt!
- A little respect, just a little bit, just a little bit.
(In the style of: Adam Ant - Goody Two Shoes)
- D’riv-ative of Sine X,
- Derivative of Secant X is, Amazing!
- Secant X Tan X!
- Driv-ative Tangent X:
- Secant Squared X.
- Remember the Chain rule, Chain Rule!
- Don’t forget the dx, dx!
- is Cosine X.
- Triggy rules, triggy rules,
- Triggy, triggy, trigg rules,
- Triggy rules, triggy rules,
- Triggy, triggy, trigg rules,
- Y’know trig don’t choke.
- Derivatives of co-functions are-
- All Negative.
- Ya substitute the functions for the co-functions as implied.
- I said y’know trig don’t choke,
- Derivatives of co-functions are-
- All Negative.
- Ya substitute the functions for the co-functions as implied.
(In the style of : The Beatles - Till There Was You)
- First d Last, Last d First,
- we must add both terms together.
- When our function’s made up of two.
- The Product Rule.
- First d Last, Last d First,
- we must add both terms together.
- When our function’s made up of two.
- The Product Rule.
- If you have X and,
- a Y in your function,
- Then use it! Im-
- plicit. Remember:
- dy, chain rule.
- First d Last, Last d First,
- We must add both terms together.
- When our function’s made up of two.
- The Product Rule.
A Classic Calculus Mnemonic, Unknown Author
(In the style of : Friedrich W. Möller –The Happy Wanderer)
- A quotient of two functions,
- you must differentiate,
- Make Hi up high and Lo below,
- and do not hesitate:
- Over Lo! Over Lo-ho-ho-ho-ho-ho!
- Lo D Hi! - MINUS! - Hi D Lo! - OVER!
- Lo squared: The Quotient Rule!
- Lo D Hi! - MINUS! - Hi D Lo! - OVER!
(In the style of: Cracker - Teen Angst)
- Take two points called A and B,
- and find the slope so easily:
- Rise over Run,
- of the line through them.
- In between, now there’s a point,
- its name is C, and I surely don’t…
- Wanna underestimate its importance.
- ‘Cause what the point proves now
- is the Mean Value Theorem,
- which holds for continuous curves.
- ‘Cause the slopes at point C
- and the line that I mention,
- are equal as can be observed.
- I don’t know what the world may need,*
- but another theorem’s a good start for me.
- Take two points of the same value on a function.
- C’s still a point that’s in between,
- that Theorem of Value sure is Mean.
- think I mean...that it’s time...to extend it.
- 'Cause what the curve needs now
- are some true words of wisdom,
- like: Horizontal Tangent at Point C, yeah.
- I said I need a point C,
- with an instant slope of zero,
- like I need a Rolle in my head.
- *This line is the same as the original.
(In the style of : Orffenbach - Can Can)
- For Maxima and minima
- just take derivitinima!
- Happiness, now just assess
- the zero, zero, zero, zero!
- Don’t forget you must inspect
- the endpoints as they are suspect!
- Find the values of our function,
- look for Highs and Lows!
- Local Maxima are on an Interval,
- Local Minima are on an Interval!
- Global Maxima aren’t on an Interval,
- Global Minima aren’t on an Interval!
- -terval! -terval! -terval!
- Saddle, Peak and Trough and
- Saddle, Peak and Trough and
- Peak and Trough and
- Peak and Trough and
- Saddle, Peak and Trough and
- Saddle, Peak and Trough and
- Saddle. Saddle,
- Peak and Trough and
- Peak and Trough.
- Saddle, Peak and Trough and
- and!
- Saddle, Peak and Trough and
- Saddle, Peak and Trough and
- Peak and Trough and
- Peak and Trough and
- Saddle, Peak and Trough and
- Saddle, Peak and Trough and
- Saddle. Saddle,
- Peak and Trough and
- Peak and Trough.
- Saddle, Peak and Trough and
- Now Maxima and minima
- are also called the extrema.
- Sometimes they can be absolute
- as long as there’s no greater, lesser,
- Relative implies a region that the extremum is in.
- DON’t confuse a saddle point!
- With an Extremum!
- Local Maxima are on an Interval,
- Local Minima are on an Interval!
- Global Maxima aren’t on an Interval,
- Global Minima aren’t on an Interval!
- -terval! -terval! -terval!
- Saddle, Peak and Trough!
- etc.
(In the style of: Red Hot Chilli Peppers - Under the Bridge)
- Area un-der
- the curve f of x is
- equal to the an-
- ti-driv-a-tive of
- f of x dx.
- It is fundamental
- Analysis tied.
- Geometry and
- Integral from A to B;
- Anti-derivatae.
- Take the val-ue at B sub
- -tract the val-ue at A.
- some Area.
- Under the curve I found,
- some Area.
- Under the curve I found,
(In the style of: Eminem - Without Me)
- "G. F. B. Riemann: No gimmicks."
- To find the whole area under the curve,
under the curve, under the curve...
- To find the whole area under the curve,
under the curve, under the curve...
- Interval:
- A to B.
- f of x.
- Stay with me:
- f of x,
- f of x,
- f of x,
- f of x,
- f of x,
- f of x,
- f of x....
- I’ve a curve at all angles, I’m using rectangles,
- to find area so…I use slices, 1 to n.
- Well if you want slices this is what I’ll tell ya,
- each little width is B minus A over n-ah.
- ‘Cause width is changing-on-the x its delta –
- x, And height: f of x sub i from the middle,
- or the right or left cause you’re evaluating,
- from the i of the slice that you are calculating.
- A! The Area’s from mul-ti-plication,
- of the width an the height gimme some adulation.
- I know that you got Sigma Notation,
- when your slices add in a big summation!
- So the BCE, won’t disagree,
- and let me decree Archimedes.
- He had the same idea in ancient Greece.
- But it feels exhausting without Rie-
- mann, Hanover kid summing the bits,
- and more cunning and witz, than Brechtian skitz.
- And get on it, it’s all working out, you don’t shun it,
- I just set up my summation, time to sum it!
- mann, add it up from A to B and
- the more slices that you see
- can increase your accuracy.
- And this looks like a job for Rie-
- mann, add it up from A to B and
- the more slices that you see
- can increase your accuracy.
- And this looks like a job for Rie-
- Little slices, make area nicest.
- The smallest of sizes will be the precisest.
- Infinitesima-al bits will entice us,
- 'till someone comes along with a vision and yells, SWITCH!
- A visionary, vision of area,
- to start the transformation,
- Summation is changing with limits,
- ‘n’ is getting greater so vast that,
- it’s a fact that I know that those little slices outlast,
- Attempts to count them!
- What a catastrophe!
- Cause there can’t be enough
- Time to count to infinity!
- But step back.
- n n n n n n n n n n.
- There’s no width to measure,
- truly thin, so change the letter,
- d for Delta. A differential trend setter.
- The new Sigma notation, slimmer is better!
- And it’s the best thing,
- the S thing’s suggesting.
- Divesting x of the sub i, I’m stressing:
- An-ti – der-i-va –tive.
- When I mention integral of f x d
- x. Who made sense, intense from A to B?
- Ah Newton? Not him. No not Cauchy.
- mann, add it up from A to B and
- the more slices that you see
- can increase your accuracy.
- No! this looks like a job for Rie-
- mann, add it up from A to B and
- the more slices that you see
- can increase your accuracy.
- And this looks like a job for Rie-
- mann’s INTEGRAL from A to B and
- sliced to infinity,
- for your per-fect accuracy.
- And this looks like a job for Rie-
(In the style of: Gilbert & Sullivan – Modern Major General)
- Position is the place you are
- at any given time you see.
- The instantaneous rate of change
- of that is the velocity.
- Which is direction and the speed
- two parts of information.
- Its instantaneous rate of change
- is called acceleration.
- The total distance traveled
- is by no means an atrocity,
- the integral of absolute value of the velocity!
- Another point of interest know
- the integral of force is work.
- Accelerations rate of change is
- surge or lurch or jolt, or jerk!
- surge or lurch or jolt, or jerk!
- Accelerations rate of change is
- surge or lurch or jolt, or jerk!
- Accelerations rate of change is
- surge or lurch or jolt, or jolt or jerk!
- Accelerations rate of change is
- Displacement is how far you are
- from your initial starting spot.
- Remembering the average value
- of a function is a lot:
- One over B minus A times the value of the integral
- from A to B of f of x dx if on an interval.
- from A to B of f of x dx if on an interval!
- One over B minus A times the value of the integral
(In the style of : Bonnie Tyler - Total Eclipse of the Heart)
- L’Hôpital
- bit of trouble when I’m taking a limit.
- Every now and then I get a little
- L’Hôpital
- for the numerator and the denominator.
- Every now and then I get a zero
- L’Hôpital
- that’s confusing in some kind of indeterminate form.
- Every now and then I get a limit
- L’Hôpital
- bit terrified but then I think of all your advice.
- Every now and then I get a little
- L’Hôpital
- L’Hôpital
- Guillaume François Antoine Marquis de L’Hôp!
- Guillaume François Antoine Marquis de
- So we take the rate of change,
- of the top and of the bottom.
- We don’t need to rearrange.
- We’re just go-ing to compare them.
- And I know that we’re making this strange,
- 'Cause we take the limit, again!
- If we find that we cannot define
- our limit, then we'll have to go repeat one more time!
- This almost always works, but if you’re in the dark,
- an Oscillating Function may be leaving its mark!
- And then this song doesn’t work!
- But most of the time, well it does.
- For most of the time our song works.
- but now they all think that I am smart.
- There’s nothing I can’t do,
- I have Calculus in the heart.
- Once upon a time I had trouble with math,
- but now I do my math in the dark.
- There's nothing I can say,
- I have Calculus in the heart.
- Once upon a time I was crying all night,